Kay Abaño

Visual Artist with a Verbal twist.


Documenting Movement and Change



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WRITING SAMPLE: Needs Statement for a Grant Application

The forced displacement of people–otherwise termed as migration–is certainly not a new phenomenon, and yet it continues to be the subject of debate among policymakers and citizens of receiving countries. Crossing national borders to work is one of the key motivations behind international migration, whether driven by economic inequalities, seeking employment, or both (“Migration Data Portal”, 2020). But there are also millions of refugees who have been driven away from their home countries due to conflict, violence and climate change (Edmond, 2020). Refugees, in particular, have had to live through a range of traumatic experiences, which have only been exacerbated by harsher immigration laws in countries like the United Kingdom, or by the inhumane separation of migrant children from their parents such as what is being done in the United States. Studies reveal that the number of refugees will only continue to rise (Fazel & Stein, 2002). And as people fleeing from war and poverty refuse to leave their family behind, this means that more and more children will be exposed to a host of threats. To put this in context: one per cent of the world's population–79.5 million people–had been uprooted and forcibly displaced by the end of 2019 (USA for UNHCR, n.d.). In 2018, over half of the number of refugees were children (Cumming-Bruce, 2019). Consequently, the need to protect children forced into this situation could not be more urgent.

PROOFREADING & COPY EDITING - Solidarity with refugees in Portugal: A collaborative research | Rebelo | Community Psychology in Global Perspective

The so-called refugee crisis has prompted the emergence of different types of solidarity and activism, some of which are trying to mount resistance against the increasing limitations posed by local, national and European asylum policies. Civil society’s engagement has been particularly noticeable as a response to the broad and emotionalized (Karakayali and Kleist, 2015; Fontanari; 2017) coverage by media and social networks. Although relationships established between host communities and asylum

Max Planck Research Group “Ageing in a Time of Mobility” - Interview with Kay Abaño

My choice to focus on ageing migrants is part of my own process as a migrant-artist. When I moved to Barcelona after studying in Madrid, I got involved with the Filipino community as a Spanish teacher to newly arrived Filipino migrants at the Centro Filipino, the civic arm of the Filipino church in Barcelona. This regular contact allowed me to socialize with overseas workers – both my students as well as other volunteers in charge of organizing those weekend classes – who would otherwise be in their respective places of work, many of them living with the families they were working for.

Chris Marker - Artists - Video Art World

So goes the introduction to one of Chris Marker's most important and famous works. A line that might very well describe his own extraordinary story, the one we are about to tell. The Past: Chris Marker, born as Christian François Bouche-Villeneuve. Nile Valley, Egypt. A young filmmaker is wandering down the riverbank atop his trusty steed, wobbling along in search of images to trap and adventures to pursue. He is later mesmerized by an object aglow from within a cave not far from the river.

Jonas Mekas - Artists - Video Art World

JONAS MEKAS By Kay S. Abaño Remembering Jonas Mekas I remember him… his eyes constantly squinting, looking down and around; he tells his story as if it were his very first chance to do so. His body carefully bobs back and forth as he waves his arms emphatically, as his memories continuously flow out from within. Watching a Jonas Mekas interview is much like getting lost in the wonderful stories of that adventurous uncle who?s been through the world and back, and is fervent to shar

Vis-à-Vis: MORROCO

What does it take to integrate into a culture you did not grow up in? To assimilate ways of life, attitudes, or beliefs so different from yours? And what does it take to be on the receiving end, having to share the piece of land you yourself did not choose? To see and meet people with entirely different backgrounds making the only home you’ve ever known theirs, too? In Vis-à-Vis, we aim to explore the two sides of migration – the immigrant and the host – and bring them together in a virtual lan

Content for ROUTE PROJECTS

ROUTE / r ü t / and ROOT: When articulated without context, there is no way of telling which one is being used. It could be referring to the road, or the point of origin, or both. Certain stories have such qualities. These are the stories we would like to tell. ROUTE PROJECTS is a platform for written, visual and audiovisual media that aims to affect social perceptions and discourse through its body of work. These works are both original productions as well as existing material curated according

12 Recommendations to end the “Cycle Of Abuse”

On 8 January 2011, the Lower House Committee on Overseas Workers’ Affairs (COWA) began its 5-day fact-finding mission to assess the situation of Overseas Filipino Workers (OFWs) in Saudi Arabia. The team, led by Walden Bello of Akbayan and Chairman of the COWA, met with different Saudi-based OFWs in Philippine government-run shelters in various cities throughout the kingdom who were more than willing to share their stories of distress. One of these OFWs was Lorena (not her real name), who was r

More than mere ‘Vacas Lecheras’

Filipino Migration, Associativism and Development were the main themes discussed in a conference organized by Casa Asia in cooperation with representatives of the University of Valencia and the Scalabrini Migration Center in the Philippines. The presentation focused on the results of the two groups’ collaborative project- the Migrants’ Associations and Philippine Institutions for Development, or MAPID. This project’s main objective is to understand the relationship between Filipino migrant assoc